Now, thro' the Haram chambers, moving lights
And busy shapes proclaim the toilet's rites;--
From room to room the ready handmaids hie,
Some skilled to wreath the turban tastefully,
Or hang the veil in negligence of shade
O'er the warm blushes of the youthful maid,
Who, if between the folds but one eye shone,
Like SEBA'S Queen could vanquish with that one:[55]--
While some bring leaves of Henna to imbue
The fingers' ends with a bright roseate hue,[56]
So bright that in the mirror's depth they seem
Like tips of coral branches in the stream:
And others mix the Kohol's jetty dye,
To give that long, dark languish to the eye,[57]
Which makes the maids whom kings are proud to call
From fair Circassia's vales, so beautiful.
All is in motion; rings and plumes and pearls
Are shining everywhere:--some younger girls
Are gone by moonlight to the garden-beds,
To gather fresh, cool chaplets for their heads;--
Gay creatures! sweet, tho' mournful, 'tis to see
How each prefers a garland from that tree
Which brings to mind her childhood's innocent day
And the dear fields and friendships far away.
The maid of INDIA, blest again to hold
In her full lap the Champac's leaves of gold,[58]
Thinks of the time when, by the GANGES' flood,
Her little playmates scattered many a bud
Upon her long black hair with glossy gleam
Just dripping from the consecrated stream;
While the young Arab haunted by the smell
Of her own mountain flowers as by a spell,--
The sweet Alcaya[59] and that courteous tree
Which bows to all who seek its canopy,[60]
Sees called up round her by these magic scents
The well, the camels, and her father's tents;
Sighs for the home she left with little pain,
And wishes even its sorrow back again!
Meanwhile thro' vast illuminated halls,
Silent and bright, where nothing but the falls
Of fragrant waters gushing with cool sound
From many a jasper fount is heard around,
Young AZIM roams bewildered,--nor can guess
What means this maze of light and loneliness.
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