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Morris, Corbyn, -1779

"An Essay towards Fixing the True Standards of Wit, Humour, Railery, Satire, and Ridicule (1744)"


To constitute HUMOUR, there need be no more than _one_ Object
concern'd, and this must be always some _Person_ in _real Life_;--
whereas to produce WIT, there must be always _two_ Objects _arranged_
together, and either or both of these may be _inanimate_.
However, though HUMOUR and WIT are thus absolutely different in
themselves, yet we frequently see them blended together.
Thus if any _Foible_ of a _Character_ in real Life is _directly_
attacked, by pointing out the unexpected and ridiculous _Affinity_ it
bears to some _inanimate_ Circumstances, this Foible is then ridiculed
with WIT, from the _Comparison_ which is made.--At the same time, as
the _whimsical Oddity_ of a _Character_ in real Life is the _Ground_
of the whole, there is also _Humour_ contain'd in the Attack.
If instead of referring the _Foible_ of a Person to any _inanimate_
Circumstance, the _Allusion_ had been made to any other ridiculous
_Person_ in _real Life_; As a _conceited Fellow_, perpetually
recommending his own Whims, to a _Quack-Doctor_;--This _Foible_
will then be ridiculed with HUMOUR; which is likewise the original
_Ground_: At the same Time, from the _Comparison_ which is made, there
is apparently WIT in the Description.
So that where-ever the _Foible_ of a _Character_ in real Life is
concern'd, there HUMOUR comes in; and wherever a sprightly unexpected
_Arrangement_ is presented of two _similar_, or _opposite_ Subjects,
whether animate or inanimate, there WIT is exhibited.


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