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Hawthorne, Julian, 1846-1934

"Confessions and Criticisms"

And he will also confess (if he have the courage of his
opinions) that, as between moralized deity and true art, his choice is
heartily and unreservedly for the latter.
I do not apprehend that the above remarks, fairly interpreted, will
encounter serious opposition from either party to the discussion; and yet,
so far as I am aware, neither party has as yet availed himself of the
light which the conclusion throws upon the nature of art itself. It should
be obvious, however, that upon a true definition of art the whole argument
must ultimately hinge: for we can neither deny that art exists, nor affirm
that it can exist inconsistently with a recognition of a divinely
beneficent purpose in creation. It must, therefore, in some way be an
expression or reflection of that purpose. But in what does the purpose in
question essentially consist?
Broadly speaking--for it would be impossible within the present limits to
attempt a full analysis of the subject--it may be considered as a gradual
and progressive Purification, not of this or that particular individual in
contradistinction to his fellows, but of human nature as an entirety.


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