Prev | Current Page 93 | Next

Rohmer, Sax, 1883-1959

"Fire-Tongue"

Finally the Hindu
gentleman reappeared, beckoning to him to enter.
Parker stood up very quickly and advanced, hat in hand.
Then he remembered the box which he had left on the floor, and,
stooping to recover it, he dropped his hat. But at last, leaving
his hat upon the chair and carrying the box under his arm, he
entered a room which had been converted into a very businesslike
office.
There was a typewriter upon a table near the window at which
someone had evidently been at work quite recently, and upon a
larger table in the centre of the room were dispatch boxes, neat
parcels of documents, ledgers, works of reference, and all the
evidence of keen commercial activity. Crossing the room, the
Hindu rapped upon an inner door, opened it, and standing aside,
"The man from the bootmaker," he said in a low voice.
Parker advanced, peering about him as one unfamiliar with his
surroundings. As he crossed the threshold the door was closed
behind him, and he found himself in a superheated atmosphere
heavy with the perfume of hyacinths.
The place was furnished as a sitting room, but some of its
appointments were obviously importations. Its keynote was
orientalism, not of that sensuous yet grossly masculine character
which surrounds the wealthy Eastern esthete but quite markedly
feminine. There were an extraordinary number of cushions, and
many bowls and vases containing hyacinths.


Pages:
81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 100 101 102 103 104 105
Mam Marzenie Dzieci Niczyje Niechciane i Zapomniane Mimo Wszystko Nasze Dzieci