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Rohmer, Sax, 1883-1959

"Fire-Tongue"


Above the mantel was a life-sized oil painting of Mrs. Nicolas
Brinn; and whereas the great room overlooking Piccadilly was
exotic to a degree, the atmosphere of the study was markedly
American.
Palpably there was no one there. Nor did the two bedrooms, the
kitchen, and the lobby afford any more satisfactory evidence.
Nicol Brinn led the way back from the lobby, through the small
study, and into the famous room where the Egyptian priestess
smiled eternally. He resumed his place upon the hearthrug.
"Are you satisfied, Detective Sergeant?"
"I am!" Stokes spoke angrily. "While you kept me talking, she
slipped out through that study, and down into the street."
"Ah," murmured Nicol Brinn.
"In fact, the whole business looks very suspicious to me,"
continued the detective.
"Sorry," drawled Brinn, again consulting his watch. "The five
minutes are up. I must be off."
"Not until I have spoken to Scotland Yard, sir."
"You wish to speak to Scotland Yard?"
"I do," said Stokes, grimly.
Nicol Brinn strode to the telephone, which stood upon a small
table almost immediately in front of the bookcase. The masked
door remained ajar.
"You are quite fixed upon detaining me?"
"Quite," said Stokes, watching him closely.
In one long stride Brinn was through the doorway, telephone in
hand! Before Stokes had time to move, the door closed violently,
in order, no doubt, to make it shut over the telephone cable
which lay under it!
Detective Sergeant Stokes fell back, gazed wildly at the false
books for a moment, and then, turning, leaped to the outer door.


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