But much of the credit for the beauty of this part
of the High must also be given to the architect of University College
(seen in Plate IX on the left), who, whether by skill or by accident,
combined at a most graceful angle the two quads, erected with an
interval of some eighty years between them (1634 and 1719).
A man must, indeed, be a Gothic purist who would wish away the
stately front quadrangle of Queen's, designed by Wren's favourite
pupil, Hawkmoor, while the master himself is said to be responsible
for the chapel of the College, the most perfect basilican church in
Oxford.
If Queen's has been revolutionary in its buildings, it has been
singularly tenacious of old customs. Its members still assemble at
dinner to the sound of the trumpet (blown by a curious arrangement
/after/ grace has been said); it still keeps up the ancient and
honoured custom of bringing in the boar's head--"the chief service of
this land"--for dinner on Christmas Day; while on New Year's Day, the
Bursar still, as has been done for nearly 600 years, bids his guests
"take this and be thrifty," as he hands each a "needle and thread,"
wherewith to mend their academic hoods; the /aiguille et fil/ is
probably a pun on the name of the founder, Robert Eglesfield.
Pages:
35
36
37
38
39
40
41
42
43
44
45
46
47
48
49
50
51
52
53
54
55
56
57
58
59