"
"American Uncontracted, or Revised, Grade One and a Half?" Phil asked
airily.
"They sound equally bad, but if there's any choice, give me the easiest.
Sounds like geological survey stuff."
Phil rummaged again, and brought to light an alphabet which she had made
for herself in her early Braille days.
"And the paper and stuff you use," Ken demanded.
"_Here_, take everything!" cried Felicia, thrusting out handfuls of
irrelevant books and papers. "Stop asking for things in dribbles."
Ken settled himself at the table, scowled at the embossed alphabet, and
then clamped a piece of the heavy paper into the slate. He grasped the
little punch firmly, and, with a manner vigorous, if not defiant, he set
to work.
"You just poke holes in the paper through the squares, eh, and they turn
into humps?"
"The squares don't turn into humps; the holes do. Don't whack so hard."
There was silence for a short time, broken only by Ken's mutterings and
the click of the stylus. Felicia looked up, then gazed meditatively
across the table at the enterprise.
"Is it for a Hebrew person?" she inquired gently.
"_Hebrew?_" Ken said; "I should rather say not. Why?"
"You're writing it backward--like Yiddish."
"I'm doing it from left to right, which is the way one usually writes,"
said Ken, in a superior tone. "You're looking at it upside-down. You're
twisted."
"The holes," said Felicia, mildly, "in order to become readable humps on
the other side, have to be punched right to left.
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