And it is for this
reason that they ceased to live after their author had died. His
connection with this earth was always just at the snapping-point. His
works constitute, in many instances, a poetic rearrangement of what he
had just latterly read. And when he is original he is vacuous. To
emphasize his works for their own sake would consequently be to set up
false values. Loeben can be studied with profit only by those people
who believe that great poets can be better understood and appreciated
by a study of the literary than by a study of the economic background.
To know Loeben[28] throws light on some of his much greater
contemporaries--Goethe, Eichendorff, Kleist, Novalis, Arnim, Brentano,
Uhland, GOerres, Tieck, and possibly Heine.
II
But it is not so much the purpose of this paper to evaluate Loeben's
creations as to locate him in the development of the Lorelei-legend,
and to prove, or disprove, Heine's indebtedness to him in the case of
his own poem of like name. The facts are these:
In 1801 Clemens Brentano published at Bremen the first volume of his
__Godwi_ and in 1802 the second volume at the same place.
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