The statement is true
but misleading, for we naturally infer that Heine derived his initial
inspiration from Brentano's ballad. Concerning this matter there are
three points of view: Some editors and historians point out Brentano's
priority and list his successors without committing[34] themselves as
to intervening influence. This has only bibliographical value and for
our purpose may be omitted. Some trace Heine's ballad direct to
Brentano, some direct to Loeben. Which of these two points of view has
the more argument in its favor and can there be still a third?
In the first place, Heine never knew Brentano personally, and never
mentions him in his letters previous to 1824, nor in his letters[35]
that have thus far been published after 1824. _Godwi_ was repudiated
soon after its publicatipn by Brentano himself, who said[36] there was
only one good thing about it, the title, for, after people had said
"Godwi," they could just keep on talking and say, "Godwi, dumm." On
its account, Caroline called him Demens Brentano, while Dorothea
dubbed him "Angebrenntano." The novel became a rare and unread book
until Anselm Ruest brought out a new edition[37] with a critical and
appreciative introduction in 1906.
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