THE GIRL WITH THE GOLDEN EYES
One of those sights in which most horror is to be encountered is,
surely, the general aspect of the Parisian populace--a people fearful
to behold, gaunt, yellow, tawny. Is not Paris a vast field in
perpetual turmoil from a storm of interests beneath which are whirled
along a crop of human beings, who are, more often than not, reaped by
death, only to be born again as pinched as ever, men whose twisted and
contorted faces give out at every pore the instinct, the desire, the
poisons with which their brains are pregnant; not faces so much as
masks; masks of weakness, masks of strength, masks of misery, masks of
joy, masks of hypocrisy; all alike worn and stamped with the indelible
signs of a panting cupidity? What is it they want? Gold or pleasure? A
few observations upon the soul of Paris may explain the causes of its
cadaverous physiognomy, which has but two ages--youth and decay:
youth, wan and colorless; decay, painted to seem young. In looking at
this excavated people, foreigners, who are not prone to reflection,
experience at first a movement of disgust towards the capital, that
vast workshop of delights, from which, in a short time, they cannot
even extricate themselves, and where they stay willingly to be
corrupted. A few words will suffice to justify physiologically the
almost infernal hue of Parisian faces, for it is not in mere sport
that Paris has been called a hell. Take the phrase for truth.
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