These highly dramatic compositions, in which he follows Berlioz and
often produces the most astonishing effects of sounds, however, did
not find entire approbation with the public, and did not succeed in
popularizing themselves. But that fact can be recorded in his favor
that every programme containing Liszt's "Dante," or Faust Symphony, or
"Mazeppa," receives more than ordinary attention from the public. The
same is the case with his solo songs with piano accompaniment, in
which, however, ingenious details often tend to drown the original
melody. Of his quartets, some have become highly popular with singing
societies and form part of their _repertoire_. The crowning point of
Liszt's compositions is to be found in sacred music, for instance in
his mass known as the "Grauer Messe," composed for the dedication of
the Cathedral at Grau, in Hungary; the Crowning mass, and his two
oratorios, "Die heilige Elisabeth" and "Christus." But even they
caused a decided difference of opinion; and if some knew no bounds for
their enthusiasm, others could not find an end for their condemnation.
Such works should not be treated too lightly, and a thorough and
impartial examination will show that a place of honor must be accorded
to them in the history of music. Since the "Heilige Elisabeth" has
been produced in several cities of Germany it has been viewed more
favorably and disarmed many of the opponents.
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